![]() "If anything, things had gotten worse." This tense situation played out in ways large and small, he noted. "There was a nervousness in both camps our relationships had not gotten any better since Paris," John wrote in In the Pleasure Groove. They dutifully performed their new hit song at Live Aid, but something was missing. Andy Taylor, writing in his own memoir, Wild Boy: My Life in Duran Duran, admitted "that's when I made up my mind I'd do the Bond video and get the hell out of there." All the video filming was individual shots - Simon does this here, Nick does this there," John Taylor added. "All the band members were on different planets, in different universes. "But when the curtain fell on our performance … none of us had any idea that the curtain was falling on the first act of our career and our lives together."Ī video shoot, filmed in Paris with the famous directing team of Godley and Creme, had already hinted that "A View to a Kill" wasn't going to be enough to hold Duran Duran together. "Onstage, we played as hard as we know how," John Taylor wrote in In the Pleasure Groove: Love, Death and Duran Duran. Instead, the global all-star event – even though it was broadcast to 1.5 billion around the globe – marked a sad end. That should have bolstered Duran Duran as they took the stage the same day before an estimated 100,000 people for Live Aid at Philadelphia's JFK Stadium. Released on May 6, 1985, "A View to a Kill" shot to No. "We wanted to make a Duran Duran Bond theme, and make sure it sounded like that." "We didn't try and write one that sounded like Eartha Kitt or Tom Jones," Le Bon told the Irish Examiner in 2015. ![]() Power Station producer Bernard Edwards was there to help smooth things over between the two factions, but the song took on a life of its own – briefly erasing whatever reluctance remained. If we had thought about the acts we had to follow, we'd have never been able to do it." We didn't really think about what we had to follow. We wanted to give it something very contemporary and very Duran Duran. “We really didn't give any thought to what had come before us. "We had an approach we wanted to take, in the way we did the music for it – which was our style," John Taylor said on Good Morning America. Later titled "A View to a Kill," after the Bond film's title, the song represented a bold step toward modernity for a series that had for years relied on silky crooned ballads for its themes. They hit on a stabbing keyboard sound from Rhodes, whose synth programming gave the emerging song a stuttering, futuristic sense of danger. He was working with us as virtually a sixth member of the group, but not really getting on our backs at all." He has a great way of working brilliant chord arrangements. And that's why it happened so quickly, because he was able to separate the good ideas from the bad ones, and he arranged them. "He heard what we came up with and he put them into an order. "He didn't really come up with any of the basic musical ideas," Simon later confirmed. That left Duran Duran to find common ground on their own. Watch Duran Duran's Video for 'A View to a Kill'īarry wasn't interested in providing much in the way of direction, working more as an editor. "Whether it's a chord change, a rhythmic shift or even a lyrical twist – a surprise is always a good thing." "I always think needs something exciting, something surprising, something that shocks you a little bit," Le Bon told NME in 2015. At this point, the fivesome hadn't put out an album of new material in more than a year. "He'd pick out a scene from an old movie – and I mean old – and talk about it like I'm supposed to remember it as if it were yesterday!"Ĭonsequently, the sessions for their proposed Bond theme began with little beyond a sense on Duran Duran's part that they needed to rise to the moment. "He knows more about stuff I've done than I know myself," the Bond composer later marveled. "When are you going to get someone decent to do one of your theme songs?" Taylor grumbled, according to Notorious: The Unauthorized Biography.ĭespite the insult, Broccoli was intrigued, and set up a meeting with longtime Bond composer John Barry and producer Jonathan Elias at Taylor's flat in Knightsbridge. Taylor came to this from an honest place, later admitting during a 1985 appearance on Good Morning America to being a "bit of a trivia freak" when it comes to the series.īarry and Taylor hit it off, but everyone promptly began drinking again, so not much got done. Taylor's girlfriend, Janine Andrews, who had a minor role in 1983's Octopussy, introduced them. Or, more specifically, an admittedly drunken John Taylor ran into movie franchise producer Cubby Broccoli at a party celebrating Wimbledon.
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